Donna
Donna is a French lo-fi & experimental duo formed in 1995 by Olivier Larvor and Frederic Dufourd in Chalon-sur-Saone (Burgundy).
At the time, Olivier was collectionning gloomy post-punk songs recorded on his 4-track tape recorder, while Fred was studying electroacoustic music at the music conservatory. They werenââ¬â¢t cool enough and were musically too limited to join the college tribute bands, so they started to work together in creating their own music with the strong conviction they were fucking artists.
For more than 20 years, they have retired to various places which they set up as a makeshift recording studio, where they could produce their music in complete autonomy.
Participation of passing friends (choirs, violins, flute, percussion, ...), extensive use of field recordings, spatial and temporal unity give each of them a unique aesthetic identity.
Death is the central theme of their works, which they have fun exploring from all angles. At first glance austere, the subject seems inexhaustible in the way it allows us to cover all the most essential aspects of our lives and invites us to emancipation.
At first they prioritised gloomy and neurasthenic atmospheres, but the repetitive and minimalist music, mixing pastoral tones, sound crafts, twisted sense of humor and song-spoken, mostly varies today between assumed grotesque and offbeat lightness. Even if death is addressed head-on through fear of dying, loss, nothingness, oblivion, burial, suicide, illness, love after death... Donna are not interested in macabre folklore and gothic shots. Sing death, yes, but with joy, and a friendly manner!
https://plusriendenous.bandcamp.com/
https://deathhangout.com/
https://www.facebook.com/plusriendenous/
https://www.grandtetonrecords.com/donna/
Releases
CAMPFR104 / Donna (1999) (2020)
Donna is a French lo-fi & experimental duo formed in 1995 by Olivier Larvor and Frederic Dufourd in Chalon-sur-Saone (Burgundy).
At the time, Olivier was collectionning gloomy post-punk songs recorded on his 4-track tape recorder, while Fred was studying electroacoustic music at the music conservatory. They werenââ¬â¢t cool enough and were musically too limited to join the college tribute bands, so they started to work together in creating their own music with the strong conviction they were fucking artists.
For more than 20 years, they have retired to various places which they set up as a makeshift recording studio, where they could produce their music in complete autonomy.
Participation of passing friends (choirs, violins, flute, percussion, ...), extensive use of field recordings, spatial and temporal unity give each of them a unique aesthetic identity.
Death is the central theme of their works, which they have fun exploring from all angles. At first glance austere, the subject seems inexhaustible in the way it allows us to cover all the most essential aspects of our lives and invites us to emancipation.
At first they prioritised gloomy and neurasthenic atmospheres, but the repetitive and minimalist music, mixing pastoral tones, sound crafts, twisted sense of humor and song-spoken, mostly varies today between assumed grotesque and offbeat lightness. Even if death is addressed head-on through fear of dying, loss, nothingness, oblivion, burial, suicide, illness, love after death... Donna are not interested in macabre folklore and gothic shots. Sing death, yes, but with joy, and a friendly manner!
https://plusriendenous.bandcamp.com/
https://deathhangout.com/
https://www.facebook.com/plusriendenous/
https://www.grandtetonrecords.com/donna/
Releases
CAMPFR104 / Donna (1999) (2020)
